Bio + Statement
McVetis' practice centres around drawing and process, specifically hand embroidery. He explores themes of geology, cosmology, the language of time, permanence, and impermanence.
Spanning the macro and micro, he records time and space through multiple dots, lines, and crosses, exploring the subtle differences that emerge through ritualistic and habitual making. The inscribed stitches mark the hand’s rhythms, a delicate performance of obsessive intricacy, refinement, and gesture. They record human presence, time and decay, each stitch or line acting as a marker for lived time, an embodiment of thought and patience. These physical, tactile, and repetitive creation modes allow him to see and think, to occupy a space.
McVetis believes in the power and potential of materials to reveal and understand our intrinsic relationship to nature and our place in it. Recent works examine the connection between material and place through personal histories.
Read the story 'Labour of Love'.
Richard McVetis studied at Manchester School of Art before studying at the Royal College of Art, where he now teaches. McVetis has been shortlisted for several distinguished prizes, including the Trinity Buoy Wharf Drawing Prize, UK, 2023; the Jerwood Drawing Prize, UK, 2011 and 2017, and the international Loewe Craft Prize, 2018. In addition, McVetis has shown work nationally and internationally at several exhibitions, including Threads at Arnolfini, UK, 2023; The British Textile Biennial, UK, 2021; RENEW at Kettles Yard, UK, 2019; Loewe Craft Prize, Design Museum, London, UK, 2018; ‘Form + Motion’ – a major exhibition with the British Council, South Korea, 2017. In 2022 his solo show was at the Craft Study Centre, Farnham.
Find his work at
Cavaliero Finn
Ruup & Form
Spanning the macro and micro, he records time and space through multiple dots, lines, and crosses, exploring the subtle differences that emerge through ritualistic and habitual making. The inscribed stitches mark the hand’s rhythms, a delicate performance of obsessive intricacy, refinement, and gesture. They record human presence, time and decay, each stitch or line acting as a marker for lived time, an embodiment of thought and patience. These physical, tactile, and repetitive creation modes allow him to see and think, to occupy a space.
McVetis believes in the power and potential of materials to reveal and understand our intrinsic relationship to nature and our place in it. Recent works examine the connection between material and place through personal histories.
Read the story 'Labour of Love'.
Richard McVetis studied at Manchester School of Art before studying at the Royal College of Art, where he now teaches. McVetis has been shortlisted for several distinguished prizes, including the Trinity Buoy Wharf Drawing Prize, UK, 2023; the Jerwood Drawing Prize, UK, 2011 and 2017, and the international Loewe Craft Prize, 2018. In addition, McVetis has shown work nationally and internationally at several exhibitions, including Threads at Arnolfini, UK, 2023; The British Textile Biennial, UK, 2021; RENEW at Kettles Yard, UK, 2019; Loewe Craft Prize, Design Museum, London, UK, 2018; ‘Form + Motion’ – a major exhibition with the British Council, South Korea, 2017. In 2022 his solo show was at the Craft Study Centre, Farnham.
Find his work at
Cavaliero Finn
Ruup & Form